 |
|

|
Richmond
Times-Dispatch
reviewer Bill Craig says of Terri's album
"Makes No Sense"
"No
losers here. Allard's mastered the art of the Americana ballad...she
wraps up her emotions in truly attractive acoustic melodies.
Allard's most potent weapon is her voice, a sultry combination
of sweetness and grit."
read entire review...

|
|

|
Dirty
Linen Magazine reviews
"Loose Change & Spare Parts"
On her
third release, Terri Allard continues to grow both as a songwriter
and a singer. A pair of thoughtful takes on the modern love
ballad, "Lifeline" and "I Don't Want
to Know," open and close the disc.read
entire review...

|

|
Rambles
reviewer Michael Gasser says of Terri's album
"Loose Change & Spare Parts"
Listening
to Allard's lyrics on Loose Change and Spare Parts, you
will realize immediately the one thing that sets her apart from
the bulk of artist in the same field: she writes lyrics that
are not easily categorized. She manages to pen humorous songs
just as well as songs about lost souls. read
entire review...

|

|
Philadelphia
Inquirer
reviewed Terri at the Philadephia Folk Festival
"Loose Change & Spare Parts"
Virginia's
Terri Allard shares ... sense of craft and rhythmic drive, but
delivers a fuller, more commercial sound on "Loose Change
and Spare Parts"... read
entire review...

|

|
Fort
Collins Coloradoan reviewer Tim Van Schmidt says of Terri's album
"Loose Change & Spare Parts"
On her
recent independent release "Loose Change and Spare Parts"
Allard defines the Americana sound over the course of 11 tracks.
That means taking guitar oriented songs and spicing them up
with decidedly American musical influences including .. blues,
folk, pop, jazz and, most certainly, country.read
entire review...
|
|
Washington
Post reviewer Mike Joyce says of Terri's album
"Rough Lines"
Tender
and reflective but never self-indulgent, Allard's songs-and
her expressive voice-often glow in this intimate setting.
read entire review...
|
|
The
Washington Post said of Terri's self titled debut album
"Terri Allard"
On her
self-titled debut album, she mixes poignant balladry and boot-kickin'
honky-tonk in a manner that's sometimes reminiscent of Mary
Chapin Carpenter. read entire
review...
|
|